Published by the Artist
Curated by Grayson Cox and Angela Conant
International Print Center New York
508 W 26th St, New York, NY 10001
September 22 - October 5, 2017
Opening reception: Friday, September 22 from 6pm
Published by the Artist, IPCNY’s biennial pop-up exhibition and fundraiser is back! Artists Grayson Cox and Angela Conant have invited a wide range of artists, from well-known names to newer voices, to donate prints for the exhibition. All work will be priced at $400 or less, so that the younger generation of artists and art enthusiasts can start collecting and support their peers. Proceeds of all sales to be shared equally by the artist and IPCNY to benefit its exhibitions and programming.
This year, in addition to these donations, participating artists have also been invited to create risograph editions in IPCNY’s new workshop space, as part of a collaboration with The Sunview Luncheonette. These editions will also be available for sale during the exhibition.
Organizers’ Statement:
“Publishing is about connecting people to print, to make a printed work known and to land it in many hands. The printed object, no longer the quickest way to inform, has come to symbolize generosity of information in a digital age.
Publishers of art often work alone or in small printmaking collaboratives. IPCNY’s Published by the Artist will congregate some of these individuals and collaboratives within the context of an art publishers’ hub. Assembling the works of artists, printers and publishers will build connections and command resources to sustain the print community as well as IPCNY itself.
Whatever concepts arise when retroactively defining the character of this exhibition, it is not a conscious curatorial concept, but one culled over years of exchange through a common practice. In this way, Published by the Artist’s curatorial process echoes the cultivation of community.”
To foster that sense of exchange, the curators have invited the Sunview Luncheonette (SVL) as an Organization-in-Residence at IPCNY in conjunction with Published by the Artist. The SVL will provide their risograph printer as a community centerpiece. IPCNY’s workshop space will be inhabited by SVL, and function as a meeting place where artists can print and edition on the risograph throughout the donation drop-off period.
The Sunview Luncheonette, in the lineage of artists like Andy Warhol and Gordon Matta-Clark, infuses their work with an ethos of community. SVL is a social-club-structured project space that is communally-run out of a former diner in Greenpoint, Brooklyn. Kendra Sullivan, Dylan Gauthier and Chad Laird, three of the Sunview’s original members, founded the space after forming a relationship with their neighbor who had previously run the diner with her husband for 45 years, still lives in the building and takes part in running the space. No longer a restaurant, but a gesture of multigenerational generosity and mutual aid, SVL hosts dinners, screenings, exhibitions, performances, readings, and meetings for neighbors and the public-at-large.
The organizers and artists of Published by the Artist will also produce a series of stamps which will be in the charge of print institutions around New York City. New owners of IPCNY/SVL published risograph prints can have their prints stamped at these partner institutions, collecting them like passport stamps. The institutional stamps will seal each print with the aura of our New York City print community.”
How to Draw The Human Figure opens September 7, 2017
HOW TO DRAW THE HUMAN FIGURE
Curated by Guy Ben-Ari and Leah Wolff
Exhibition Dates: September 7 - September 28, 2017
Reception: Thursday, September 7, 2017, 6:00pm - 9:00pm
Artists: Angela Conant, GaHee Park, Sophy Naess
Meta Meta Meta LLC is pleased to present How to Draw The Human Figure, a group exhibition with works by Angela Conant, GaHee Park and Sophy Naess, curated by Guy Ben-Ari and Leah Wolff. Through the lens of a semiotic scope, the show presents three different answers to its title through the varied manifestations of a sign: as icon (Gahee Park), index (Angela Conant) and symbol (Naess). Park’s paintings directly depict her subject matter, drawing a physical resemblance between image and meaning. Conant’s paintings signify the body indexically. They depict collections of partial organs (fingers, knuckles) whose position gradually accumulate into a face-like mass, forming a corollary picture. Naess’ drawings and prints (from which the title of the exhibition is borrowed) remove the figural image from its context, functioning symbolically as text.
Angela Conant - In her recent work, Angela Conant repeats content through paint, video and stone. Her videos incorporate sculpture and paintings and have parodied the politics of gender and media. Her practice also encompasses curating and collaborating on artist-run projects. Conant’s work has been exhibited at Electronic Arts Intermix (New York City), The Elizabeth Foundation Project Space (New York City), SPRING/BREAK art show (New York City); Glasshouse Projects (Brooklyn), Interstate Projects (Brooklyn); the Delaware Center for Contemporary Art (Wilmington, DE), Neter (Mexico City, MX), The Sunview Luncheonette (Brooklyn), ICA Baltimore (Baltimore, MD), La Mama Gallery (New York City), SARDINE (Brooklyn, NY), Galerie René Blouin (Montreal, QC) and Agency (Brooklyn, NY). She has spoken at Boston University's School of Fine Art and at New York Foundation for the Arts, and was awarded a Critical Writing residency at Recess (New York City) in 2013 and an Artist Residency at the Millay Colony (Austerlitz, NY) in 2014. In 2007, she co-founded The Gowanus Studio Space, an artist-run collaborative in Brooklyn where she served as Artistic Director until 2014. She earned an MFA from School of Visual Arts in 2013.
Sophy Naess (b. 1982) is a New York-based artist currently working in New Haven, Connecticut. Naess received a B.F.A. in painting from Cooper Union in 2004 and an M.F.A. in painting from Rutgers University in 2013. Recent exhibitions include solo shows at the Middler (2017) and 321 Gallery (2016). Her work has appeared in group shows at Hercules, The New School, Chapter NY, and Matthew Marks Gallery in New York City. She has been artist in residence at the Shandaken Project, NY; The Brooklyn Arts Council's SU CASA program at the Bay Ridge Senior Center in Brooklyn; The Range, Colorado; and Sikås Art Center, Sweden.
GaHee Park was born in Seoul and is currently based in New York. She received her BFA from Tyler School of Art and MFA from Hunter College. Park is a recipient of a 2016 Dedalus Foundation Fellowship. Park has had solo exhibitions at Pioneer Works in Brooklyn and Marginal Utility in Philadelphia, and she will have a solo show at Motel Gallery in Brooklyn in November. Park has been in group exhibitions Include James Cohan Gallery (New York), LaMaMa Galleria (New York), David&Schweitzer Contemporary (Brooklyn), Ess Ef Eff (Brooklyn), Outlet Fine Art (Brooklyn), and others. Her work has been featured in publications such as New York Times, Bomb Magazine, Sleek Magazine, The Paris Review, Hyperallergic, and Working in Progress Publication.
Meta Meta Meta LLC is a collaborative arts organization run by artists Leah Wolff and Guy Ben-Ari. Since 2009, they have been facilitating creative and discursive activities with the aim of supporting a diverse community of underrepresented artists through collaboration and community engagement. Meta Meta Meta LLC teaches workshops, organizes events, and produces publications in order to empower the public through increased access to the arts.
AGENCY is a newly opened project space located in DUMBO, Brooklyn, established by Meta Meta Meta, LLC with the goal of promoting underrepresented and emerging Brooklyn based artists.
Pattern Interrupt at AGENCY, Opens July 7, 2017
PATTERN INTERRUPT
Exhibition Dates: July 7 - August 3, 2017
Reception: Thursday, August 3, 2017, 6:00pm - 9:00pm
Featured Artists: Blythe Cain, Karen Lederer and Zoë Wright
Curated by Guy Ben-Ari and Leah Wolff
Meta Meta Meta LLC is pleased to present a group exhibition with works by Blythe Cain, Karen Lederer and Zoë Wright, curated by Guy Ben-Ari and Leah Wolff. The exhibition examines the narrative potential of abstraction through the use of pattern, within a disordered domestic atmosphere. Using the still life as a starting point, the works herein present scenarios where what was once a decorative element (object) becomes a player (subject).
In behavioral psychology “Pattern Interrupt” is a technique used to disrupt habitual thoughts or behaviors, allowing the recipient to carve new neural pathways. Within a pictoral space, pattern is traditionally understood to establish a series of social and temporal anchors for the viewer. The works in this show each contain a moment where a functional shift occurs within the pattern from the roll of passive to active within the pictorial field. This move is synonymous with the show’s title, as the viewer’s habitual expectations are broken.
More info: www.metametameta.org/agency
Double Take at AGENCY opens Saturday, May 13, 2017
DOUBLE TAKE
Oasa DuVerney
Meredith James
Dana Lok
Reception: Saturday, May 13,4-6pm
May 13 - June 2, 2017
Curated by Guy Ben-Ari & Leah Wolff
Meta Meta Meta LLC is pleased to present Double Take, the inaugural exhibition to be held at AGENCY, featuring works by Oasa DuVerney, Meredith James and Dana Lok, curated by Guy Ben-Ari and Leah Wolff. The exhibition examines the mode of the double, through gestures of duplication, reversal, identification and projection. The title of the exhibition refers to the delayed interpretation and response to what has been seen, exemplifying the difference between looking and seeing.
From a series titled The View From Nowhere, a pair of portraits (Julian Assange and Diamond Reynolds) hang in the gallery by artist Oasa DuVerney. While Assange is the founder of Wikileaks, Diamond Reynolds livestreamed the immediate aftermath of the shooting and death of her boyfriend, Philando Castile, after he was shot by local police during a routine traffic stop. While their personas feature prominently within the dissemination narrative of this information, their faces remain absent within the content itself, existing instead solely within the metadata. Both subjects publish content that reveal social and political oppression, but by showing the portraits as a pair, DuVerney highlights the difference between the two.
In the drawing based on Jan van Eyck’s painting The Arnolfini Portrait titled The Actress Makes a Promise, Dana Lok shows the focal point of the piece, the couple’s hands. In the hand of the bride, the artist places an optical illusion, inviting the viewer to consider two different forms of imaginary space beyond the frame. One is the complete painting to which the image alludes, while the other is the impossible space as represented by the optical illusion.
Panorama Meredith, a full-body costume by Meredith James was part of an installation at the Queens Museum titled Möbius City. In a photo of the installation, the wearer is shown within a model version of James’ apartment, which at first glance appears to be a miniature. The image presents the viewer with an incompatible truth about the scale of the wearer, eliciting a delayed reaction, and compelling the viewer to re-examine the object that is in front of them.
For more info: www.metametameta.org/agency
Victory Garden at Planthouse
Planthouse is pleased to present Victory Garden—a salon style exhibition scheduled to run from December 8, 2016 through January 13, 2017. During World War I and II, victory gardens were planted next to private homes and in public parks throughout North America, Europe and Australia. Designed to reduce pressure on the food supply, the gardens were also considered to be morale-boosting symbols of solidarity. Government-led campaigns were mounted, with lithographic posters targeting urban and rural dwellers alike and inspiring them to plant fruits and vegetables. Citizens felt empowered by their contributions to the war effort and rewarded by the produce grown. Today, our world is again in political and environmental turmoil and we are similarly in need of nourishment and unification at the community level, this time in the form of collective political engagement. The show will feature small paintings, prints, and works on paper, with the goal of initiating conversation and action.
More info: planthouse.net/victory-garden-2/
Participating artists include:
Guy Ben-Ari, Anders Bergstrom, Shawn Bitters, Jon Bocksel, Katherine Bradford, Noah Breuer, Brice Brown, Caroline Chandler, Katie Commodore, Grayson Cox, Jeremiah Dine, Ellen Driscoll, Kelly Driscoll, Louise Eastman, Carrie Elston, Brad Ewing, Jasper Ewing, Jess Frost, Tara Geer, Glenn Goldberg, Tamara Gonzales, Wayne Gonzales, Valerie Hammond,Erik Hougen, Amy Jacobs, Butt Johnson, Austin Kennedy, Anki King, Aaron Krach, David Kramer, Michael Krueger, Nancy Kuhl, Daft Kuntz, Nick Lamia, Marco Lawrence, Martha Lewis, Ruth Lingen, Melissa Marks, Martin Mazorra, Ryan McIntosh, Anne-Marie McIntyre, John Mitchell, Michael Neff, Adam Ogilvie, Ester Partegàs, Pedro Ramirez, Katia Santibañez, Justin Sanz, Mae Shore, Wendy Small, Paul Anthony Smith, Janis Stemmermann, SuttonBeresCuller, Christopher Ulivo, Chuck Webster, and Leah Wolff
Of The People at Smack Mellon
Of the people
Curated by Erin Donnelly
Exhibition Dates: June 17 – July 31, 2016
Opening Reception: Saturday, June 18, 5 – 8pm
Closing Reception and Events: Sunday, July 31, 3-6pm
Smack Mellon, Brooklyn, NY
Lauren Frances Adams, Daniel Bejar, Guy Ben-Ari, Brooklyn Hi-Art Machine, (Mildred Beltre & Oasa DuVerney), Isabella Cruz-Chong, Peggy Diggs, Esteban del Valle, Nicholas Fraser, Emily Greenberg, Alicia Grullon*, Jeremy D. Olson, Sheryl Oring, Ben Pinder, Brittany M. Powell, Kate Sopko, t.Rutt (Mary Mihelic & David Gleeson)*, Martha Wilson*, Leah Wolff.
*Public event artist
The exhibition Of the people curated by Erin Donnelly, opens at Smack Mellon on June 17 and will be on view through July 31, reflects of-the-moment political opinions shaping the 2016 presidential race in the United States. With video, drawing, photography, painting and sculpture as well as socially engaged projects and site-specific installation, the exhibition features artists selected through an open call who hail from California, Maryland, New Mexico, New York, North Carolina and Ohio. Artworks included in the group show offer critical perspectives on the current electoral process while challenging notions of American democracy today.
Visit www.smackmellon.org for more information
The Split between the Eye and the Gaze at KUNSTRAUM
Curated by Meta Meta Meta, LLC
April 3 - April 24, 2016
Reception: Sunday, April 3, 4:00pm-6:00pm
Kunstraum LLC, 20 Grand Ave, #509, Brooklyn, NY 11205
Participating artists: Erica Allan, Guy Ben-Ari, Tryn Collins, Kerry Downey, Hilary Doyle, Carrie Gundersdorf, Sacha Ingber, Emily Roz, Leah Wolff and Raphael Zollinger.
The Split between the Eye and the Gaze includes works by 10 New York based artists. The title for this group exhibition is borrowed from Jacques Lacan’s text of the same title from 1964, as published in The Four Fundamental Concepts of Psychoanalysis. Each of the works in the exhibition can be viewed through a Lacanian scope of interpretation of what Merleau-Ponty identified as a fundamental "reversibility" in vision: The body is simultaneously a subject and an object: The body is the seeing and also the seen, and even more so, it can be observed. The artists included in this exhibition explore different notions of this reversibility in vision, and its implications over our contemporary everyday experience.
For more information: kunstraumllc.com/gallery
Contemporary Ceramics at The LeRoy Neiman Gallery, New York, NY
Curated by JJ Peet and Ella Fainaru
Wednesday, March 30–Tuesday, April 26, 2016
Reception: Thursday, March 31, 2016, 5–8 pm
The LeRoy Neiman Gallery
Dodge Hall, Room 305
2960 Broadway, New York, NY
Featuring work from Leah Wolff, Patrice Washington, Loouiza Furia, Katie Furr, Christian Dietkus Lord, Irini Miga and Ector Garcia, the exhibition acts to interrogate the current meaning of contemporary ceramics as a tool for confrontation, protest or expression of artistic statements. The exhibition incorporates diverse subjects, working techniques and mediums in creating a ceramic object, furthering the relationship between the use of “clay as a direct material” and the incorporation of zines and “HOMEBASE” (The placement of an Object in location to it’s USER) as mediators and meaning producers.
For more information: arts.columbia.edu/events/spring-2016/CONTEMPORARY_CERAMICS
ARTIST IN RESIDENCE AT THE MUSEUM OF ARTS AND DESIGN (MAD)
About The Artist Studios
Start your visit at the Museum of Arts and Design in the Artist Studios to talk with artists about their processes, materials and concepts. The Artist Studios is an educational space that fosters dialog between artists, designers, and the public. Every day, the Artist Studios hosts artists and designers as the produce their work in a public environment. The Artist Studios supports the development of original works through special projects and residencies.
Artist Studio Hours
Tuesday - Sunday: 10:00am – 1:30pm & 2:30pm – 5:00pm
Thursday and Friday: 6:00pm - 8:30pm
Please note that artists' shifts vary widely in order to accommodate other professional commitments, schedule subject to frequent change.
The Museum of Arts and Design
2 Columbus Circle
New York, NY 10019
www.madmuseum.org
The mission of the Museum of Arts and Design (MAD) is to collect, display, and interpret objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the Museum celebrates the creative process through which materials are crafted into works that enhance contemporary life. MAD champions contemporary makers across creative fields, presenting artists, designers, and artisans who apply the highest level of ingenuity and skill to their work. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving 21st-century innovation, fostering a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design.
For more information: madmuseum.org/learn/leah-wolff
DUTCH COURAGE @ 48 STUNDEN NEUKÖLLN
Dutch Courage
A part of the central Exhibition of 48 Stunden Neukölln
Neukölln Arcaden, Karl-Marx-Str. 66, 12043 Berlin
Opening: Friday, June 27th 2014, 7 - 10pm
Opening hours: June 28th, 10am – 10pm and June 29th, 10am - 7pm
„Dutch“ or „liquid courage“ describes the procedure usually executed at pubs and sometimes art show openings as well, to lower one's inhibition to come into contact with others and gain bravado from drinking. The project's concept is not so much about the intoxicating part, but the employment of the ritual of drinking together as a platform for communication. With the invitation to the project, the curators challenged the artists with a lump of clay as a traditional but sometimes forgotten artistic material and the request to model something that can hold liquids. In reference to the traditional German container for beer drinking, the „Bierkrug“, these original and unique sculptures can be purchased for a small fee at the “Dutch Courage” Bar in order to get your free refill.
Artists: Stefan Alber, Marie Aly, Paul Barsch, Alaska Rose Basker, Jacob Dove Basker, Caroline Bayer, Guy Ben-Ari, Ivan Bošković, Dominik Bucher, Yvon Chabrowski, Christine Cheung, Julie Chovin, Ilka Clausen, Katrin Connan, Julie Sparsø Damkjær, Lizza May David, Jana Debrodt, Matthias Droste, Janine Eggert, Elizabeth Englander, Esther Ernst, Patrick Farzar, Nadja Frank, Glenn Geffken, Emanuel Geisser, Axel Gerber, Almut Grypstra, Stef Heidhues, Christian Henkel, Benjamin Heps. Kimberly Horton, Sybille Jazra, Marte Kiessling, Caroline Kryzecki, Anja Langer, Anja Majer, Eleni Mouzourou, Lawrence Power, Haleh Redjaian, Henrieke Ribbe, Philipp Ricklefs, Michael Rockel, Christopher Sage, Natalie Sage, Jomar Statkun, Vassiliea Stylianidou, Zefrey Throwell, Lisa Tiemann, Maike Tipke, Chryssa Tsampazi, Nicoll Ullrich, Roberto Uribe Castro, Stefan Vogel, Anna-Lena Wenzel, Leah Wolff, Kalle Wruck
Dutch Courage – a project by Janine Eggert, Marte Kiessling, Philipp Ricklefs and Christopher Sage, in the context of 48 Stunden Neukölln, Das Kunstfestival, organized by Kulturnetzwerk Neukölln e.V.
Kindly supported by Pilsner Urquell and the Bezirksamt Neukölln
WEIRD SCIENCE AT KUNSTHALLE PROJECTS
Blake Carrington, Heather Dewey-Hagborg, Thomas Dexter, Kysa Johnson, Hannah Mishin, Jeff Thompson, Leah Wolff
Opening on Saturday April 26, 2014, 7:00 PM
On View April 26, 2014 - May 31, 2014
Weird Science
April 26 - May 30, 2014
Opening Saturday April 26th 7pm - late
Blake Carrington - Heather Dewey-Hagborg - Thomas Dexter - Kysa Johnson - Hannah Mishin - Jeff Thompson - Leah Wolff
Tomorrow, Saturday April 26th at 7pm Kunsthalle Galapagos opens Weird Science. Please join us at our pop-up space:
Kunsthalle Projects located at 111 Front Street, #212 in DUMBO Brooklyn.
Kunsthalle Galapagos opens Weird Science, an exhibition that brings together seven artists who investigate science and technology. Their work draws from scientific theories or practices, appropriates or misuses scientific principals towards artistic means, or invent their own rational systems or scientific framework. Featuring work by Blake Carrington, Heather Dewey-Hagborg, Thomas Dexter, Kysa Johnson, Hannah Mishin, Jeff Thompson, and Leah Wolff, these artists work across a variety of mediums including ceramic, installation, projection, sculpture and sound, and incorporate things as diverse as genetic material, The Whole Earth Catalog, custom built-software and invented code to create experiments that blend and push the boundaries of art and science. Please join us at Kunsthalle Projects located at 111 Front Street, #212 in DUMBO Brooklyn, the opening will go until late.
SWEATSHOP STUDIOS OPEN STUDIOS
Please join us for Open Studios at Sweatshop Studios.
Sweatshop Studios
47 Hall Street, Brooklyn, NY
(Between Flushing Ave and Park Ave)
March 22, 2014, 8-10 pm
Participating artists:
Guy Ben Ari, Lili Chin, Mark Joshua Epstein, Michael Gaillard, Esteban Jefferson, Jason Lujan,
Pooneh Maghazehe, Mikail Mishin, Patrick Mohundro, Julie Ann Nagle, Anna Plesset,
Carolyn Salas, Adam Parker Smith, Kirk Stoller, Naama Tsabar, Leah Wolff, Raphael Zollinger.
THE INVITATIONAL AT KUNSTHALLE GALAPAGOS
THE INVITATIONAL
Curated by Julie McKim, Erik Hougen, Gracie Kazer, Wyatt Nash, Daniel Kingery
Opening on Thursday March 06, 2014, From 6:00 PM to 9:00 PM
On View March 06, 2014 - April 06, 2014
THE INVITATIONAL opens on Thursday, March 6th with dual opening parties: 6-9pm @ 111 Front Street, #212 / 9pm-late @ 16 Main Street
Kunsthalle Galapagos opens The Invitational, a multidisciplinary group exhibition that presents over 50 artists and spans two galleries in DUMBO, Brooklyn. Curated collaboratively by its 5 members Julie McKim, Erik Hougen, Gracie Kazer, Wyatt Nash and Daniel Kingery, it is an investigation into the art production encountered over the past year. In the spirit of the Kunsthalle’s large inaugural group show, The Invitational highlights our artist-centric mission and is a preview of things to come. The exhibition showcases an array of disciplines and mediums, including performances and site-specific installations. Artists included are both new to the Kunsthalle and those who have exhibited in the past. Opening night performance by Tif Robinette. After party and artist DJs after 9pm.
Artists: Bill Abdale, Ketuta Alexi-Meskhishvilli, Justin Amrhein, Caitlin Bermingham, Elia Bettaglio, Sonya Blesofsky, Noah Breuer, Joseph Burwell, Blake Carrington, Katie Cercone, Laura Charlton, Matthew Conradt, Mary Cosh Cook, Angeles Cossio, Grayson Cox, Aurora de Armendi, Michael Dominick, Jason Duval, Brad Ewing, Amanda Friedman, Jared Friedman, Delia Gonzalez, William Hempel, Erik Hougen, Kysa Johnson, Leslie Kerby, Daniel Kingery, Shaun Leonardo, Eric LoPresti, Hannah Mishin, James Moore, Fumi Nakamura, Wyatt Nash, Stephen Neidich, Eric Oglander, Patrick Paine, Alejandro Almanza Pereda, David Pierce, Rit Premnath, Mark Reigelman, Naomi Reis, Tif Robinette, Alan Ruiz, Jose Luis Cortes-Santander, Justin Sanz, Sarah Shebaro, Albert Shelton, Kyle Simon, Chris Stackhouse, Jomar Statkun, SuttonBeresCuller, Keigo Takahashi, Jeff Thompson, Jason Villegas, Leah Wolff, Doug Young, Zhe Zhe, Jeremy Zini
Kunsthalle Galapagos is run by artists and curators who curate and work collaboratively. We are a multi-disciplinary artist-centric space that presents emerging and established artists who actively challenge convention. We think of the space as a hub for artistic experimentation.
For further information: please contact julie@kunsthallagalapagos.com or gracie@kunsthallegalapagos.com
WAITING ROOM AT THIS RED DOOR
WAITING ROOM
Curated by Guy Ben-Ari and Leah Wolff
This Red Door at Kunsthalle Galapagos
16 Main Street, DUMBO, Brooklyn, NY
February 22, 2014 5-8pm
We are pleased to invite you to Waiting Room - an evening of cathartic art making at Kunsthalle Galapagos. In the gallery, a worktable with tools and clay will be provided and visitors are invited to re-create something that they have lost. Many times the things we lose become obsessions, causing us to compulsively replace them to fill the void of their absence. The viewer recreates the object according to their memory, altering the scale and bringing out certain details. In doing so, they are able to free themselves from the loss by collectively memorializing the object. At the end of the evening, these sculptures will become a still life of lost objects. The clay is not air dry, so its physicality is impermanent - existing only in its documentation.
Waiting Room will also include a collection of works by artists Arielle Amenoff, Tryn Collins, Mark Joshua Epstein, Jesse Greenberg, Kristina Lee, Naomi Lev, Lauren Luloff, Bea Parsons and Jessica Segall.
FLUX FACTORY’S 2014 BENEFIT
Come get Fluxy with us during one of the best art parties of the year!
Date: Wednesday, January 15th, 2014
Venue: 79 Walker Street, 6th Floor, NYC
Time: Cocktails & light fare begin at 7pm, award ceremony at 8:30pm, with silent bidding until 10pm
This spirited cocktail event will feature a silent auction of over 50 artworks by artists from Flux Factory’s extensive community that we’ve built together over 20 years.
Honor Harriet Taub of Materials for the Arts and Swoon with us–during the Scrappy Awards ceremony–for the enormous impact their work has had on Flux Factory and the greater cultural sphere. Get worked over by our roaming team of “knock-off artists,” who will be making customized copies of auction items on demand. Participate in live performances, a mega-raffle, installations, and interactive experiences to celebrate twenty years of supporting remarkable works of art that help us see the world in unexpected ways.
Entertainment will be provided by our emcee, The Fabulous LuLu LoLo; Fluxtime Photobooth by Jason Eppink, Sean McIntyre, and Reid Bingham; tarot readings by Leah Wolff; DJ set by Vernous; and bathroom valet by Jonah Levy, TJ Hospodar, and 0H10 M1ke.
Participating artists: The silent auction will include artworks by Fluxers and Friends-of-Flux Aya Kakeda, David Shapiro, Carla Gannis, Jean Barberis, Kerry Downey, Ryan Estep, and many others.